Date
|
Saturday 3rd November 2012
|
Fabric/Material
|
Paper, white thick A4 card.
|
Dye type/Process
|
Reactive Manutex Dye and Foil.
|
Colour Specifics
|
Yellow MX8G mixed with a Blue MXG to make a green and Cobalt Blue
foil.
|
What worked?
|
Everything! The colour choice, the positioning of each image, the way
the foiling faded and where it faded.
|
What went wrong and could be improved?
|
The only problem is that the underneath young image cannot come
through the foil which would be more of a problem if James’ face was covered.
|
Notes
|
|
Sample Number
|
Sample 22
|
Date
|
Saturday 3rd November 2012
|
Fabric
|
Cotton Organdie
|
Dye type
|
Reactive Manutex dye with flock print.
|
Colour Specifics
|
Olive Mx3G was the reactive dye colour powder and I used a dark brown
flock.
|
What worked?
|
The colours used are earthy and relate well with each other. Using
cotton organdie as the fabric gives this sample texture and depth. Even
though the colours work well together, the olive colour was patchy.
|
What went wrong and could be improved?
|
The flock print must not have had enough glue put down because the
bottom area of the flock print was faded and irregular; the facial features
did come out perfectly proportioned and evenly flocked.
|
Notes
|
I have not washed this sample so it is a bit rough still. I have not
washed this sample because of the material used, I think the colour will just
washed right out of it.
|
Sample Number
|
Sample 23-Jessica
|
Date
|
Saturday 3rd November 2012
|
Fabric/Material
|
A4 white thick card with a print on top on the fabric called
Cambridge Cotton Voile.
|
Dye type/Process
|
Reactive Manutex Dye with a print on top using foiling.
|
Colour Specifics
|
An Olive Mx3G reactive coloured dye with an aubergine foiling on top.
|
What worked?
|
Because the top print using foil is grainy the underneath print can
be seen clearly through even though the foiling is a darker colour. The
prints have come out strong, both of them together make a strong combination,
using my little brother’s stencils to become prints have always worked from
the beginning of this project.
|
What went wrong and could be improved?
|
As I left the print drying on newspaper some of it has come of onto
the sample and it cannot be removed, this has ruined the sample as a whole.
|
Notes
|
These prints were photographed shining through a window, to show a
certain way of presenting them.
|
Sample Number
|
Sample 24-James
|
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